We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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There is a new film out, with a fairly strong, leftie vibe about it, called Made in Dagenham, celebrating the campaign by women factory workers in the late 1960s to get the same pay as their male counterparts. It sounds such a self-evidently just cause that no doubt any film-goers will come out of the cinema nodding to themselves about the rightness of the cause and the evil of the chauvinist, exploiter bastards who presided over the previous, unjust state of affairs. Throw in lots of period costumes and some nice background music and this is a sort of feelgood movie, in a way.
The trouble is, as I suspect readers will tell, is that the situation is not quite as simple as all that. As Tim Worstall occasionally likes to point out, a lot of the supposed injustice involved in lower pay for women for doing the same jobs as men has a perfectly rational basis, however politically unpalatable it might be to say so. Here is another one of his articles over in the Guardian (brave man, is Tim).
In part, it is worth remembering that in the far more unionised labour market of Britain in the 1950s and 1960s, a lot of the resistence to women entering the workforce to do the same work as men came from male trade union members, not from the firms. And companies, realising that many women are as talented, if not a damn sight more so, than the men, obviously realised that they could attract such workers willing to work for a slightly lower wage than their male counterparts. Outside unionised businesses, such a difference was likely to be even more marked. It reminds me of the fact that the labour movement, with such features like the closed shop, has often been at odds with the Left’s alleged concerns for things such as equality between the sexes and races. I would be interested to know if this aspect of the labour movement comes out in the film.
I suspect that, absent labour market restrictions such as closed shops and other deliberate barriers to entry, women’s pay would have approached that of the men much faster than it did, but for reasons adduced by the likes of Tim Worstall, there will remain gaps which cannot be blamed on the free market.
Here, via the Flickr blog, is this charming photo (click on that to see it as big as you want), which combines an ancient agricultural procedure with some much more modern civil engineering, somewhere near Treviso, in north east Italy:
Ideal circumstances, all here will surely agree, for a James Bond car chase. Goldeneye, which was shown on ITV2 last night and is on ITV2 again tonight, has a car chase early on, on just such a road. No sheep are involved, but there are cyclists. Bond didn’t drive into them, like this, but he did drive past them and they all fell over.
Sadly, I think that the above road is probably too narrow for cars, and is actually a bespoke sheep track. I guess that sheep, in Italy, are objects of political worship, much as cyclists are here.
The UK Film Council has been scrapped. I am not sure why it was needed. According to a Guardian article, its inclusion in the quango scrappage scheme is a catastrophe. Presumably that is luvvie hyperbole for a bad outcome. Yet, who has come to this conclusion. Tony Hayward, Chief Executive of the UK Film Council. Not an impartial view then. More a biased testament of UK Film Council puffery helped by the Quango Support Group at the Guardian.
One must remember that any industry will gladly accept other people’s money if it is doled out to them. It seems that the UK Film Council was indispensable, as a middleman, broking films to ministers:
History tells us that governments do not understand cultural industries: they are too complex, with too many moving parts and too many competing factions. When there was trouble in the film world, the UK Film Council acted as a translator to government and a critical friend to the industry: that function saved the film sector’s bacon more than once. But no more – so in that respect, too, it’s back to the dark ages.
Words missing from this epitaph include audience, profit, success, blockbuster, and popular. Another example of redistributing taxes to fund elite culture (unwatchable films) under cover of some utilitarian rationale for supporting an ‘industry’. One less public sector vacancy to fill.
Germane to Michael Jennings’ post below pertaining to Prince’s declaration that the “Internet is completely over”, I had a brief conversation with a decidedly winsome 20-something young lady, elegant yet edgy (she was a cut glass accented thoroughbred Sloane Ranger wearing ‘All Saints’). She was sitting in a sandwich shop in a well-heeled part of town… expensive Apple laptop open as she availed herself of the free WiFi whilst having luncheon…
The following really happened, serious, not joking.
Samizdata Illuminatus “Did you read that Prince thinks the ‘Internet is completely over”? He refuses to release any of his music on it at all”
20-Something-Young-Lady “Really? Umm… I did not even know he was a musician.”
SI “Well, yes…he is. He is one of the great guitarists of our time.”
20-S-Y-L “Hah, that’s funny! I cannot picture that old foggy playing a guitar! I thought he just spent his time playing polo, messing with architects and hugging trees…”
SI “No, no, no, not Prince Charles… ”
20-S-Y-L “Prince William? No, I am sure you must mean Harry! Oooo! Yummy Harry with a guitar!”
SI “No, the American musician called ‘Prince’.”
20-S-Y-L “Oh, I see. And this chap calls himself ‘Prince’? That’s hilarious!”
SI “He used to call himself ‘Squiggle’.”
20-S-Y-L “I’m sure I’ve never heard of him.”
SI “I suddenly feel very… old’.”
20-S-Y-L “I’ll download something of his off Bit Torrent and see if he’s any good.”
I do not believe she immediately grasped the sheer transcendent irony of the moment.
Now I am usually harsh in my criticism of the National Health Service and indeed I wish to see it abolished entirely… but credit where credit is due. This was a very, er, uplifting example of ‘Enterprise Thinking’ by the NHS.
Carry on, Doctor!
I am addicted to the Jack Reacher novels of Lee Child (I have read practically all of them). On Child’s website is a nifty collection of the cover art for his novels, taken from all around the world. Cover art is a much under-rated aspect of design, in my opinion.
A few weeks ago, I got my hands on an old Ian Fleming hardback – You Only Live Twice. It is a US first edition that I bought for £25, which I reckon is a serious result. It was printed in the early 60s, and its cover is deceptively simple. (Here is a collection of all the hardback covers of that novel.) The first edition Bond novels that were released first in the UK often go for a bloody fortune. The first edition of Casino Royale will cost tens of thousands. The cover art on those novels is great.
And SF cover art is often excellent. Here are some ones I like on this link.
Over at Counting Cats, NickM uses suitably salty language to say what he thinks of the actor Jeremy Irons for coming out with “there are too many humans on the planet” sort of comments.
I am not going to add to the post in question – I am pretty certain that we have trodden this ground fairly well already – but I wanted to ask the question as to why is it, that folk in the acting profession, or at least most of them, seem to hold such statist/Greenie views? Maybe it is an impression not based on a lot of hard statistics, but I’d guess that the acting trade is disproportionately full of folk who hold these kinds of opinions. Of course, there are actors who are a bit of a break from the trend – think Michael Caine, Clint Eastwood and the playwriter, Tom Stoppard, but they are often notable for being exceptions to the rule.
Maybe it is because, as actors, they view business, and people with cash, as somehow alien. Or maybe it is because, as actors, they often take on a generally adversarial view to the prevailing culture, and for many, being adversarial is still to be left-wing, to champion things such population control, government aid to Africa, or whatever.
Or maybe it goes right back to when they were at school. They probably were not on the same wavelength, emotionally or socially, with the kind of people who excelled at hard science, or who showed a flair for business and sport. Some may even have been quite badly bullied or put upon by the school “toughs” and took a sort of view that they’d take their revenge on society by the kind of plays/films they would get involved in, or the causes they would espouse.
Like I say, this is all very impressionistic. But the weakness for certain celebrities in the acting business for such causes deserves to have a sort of Phd thesis. I wonder if one has ever been written.
My old friend, Andrew Ian Dodge, now residing in the chilly US northeastern state of Maine, has a book out, And Glory, which is set in a near future where the EU superstate is in full power (not that far off, then, Ed). He mashes up a a bit of political speculation, SciFi and good rollocking drama to make an interesting read. (As if my reading list was not long enough, aaagrrrh).
I have been thinking about who else has written books where the EU is treated as a sort of malign feature of a novel. One that springs to mind is Andrew Roberts’ novel, written a few years ago, called The Aachen Memorandum. I am a fan of Roberts the historian, so this hopefully would be a good read. Sometimes the EU crops up in the science fiction books of Ken Macleod, as in Cosmonaut Keep. And I recall that Peter Hamilton made some glancing, and unflattering references, to the EU in this recent novel, which was quite enjoyable, albeit with a rather unpleasant central character.
Of course, writing any speculative novel about the European Union carries the risk that reality keeps overtaking the story line. I mean, I wonder if either the two Andrews mentioned here or Ken would have envisaged the idea of a German politician suggesting that Greece flog off some of its islands to pay down its debt?
And as an aside, Henry Porter, the British journalist and scourge of this government over its dreadful civil liberties record, also had a novel out recently that I can recommend for mixing a powerful message and a cracking good storyline.
If commenters can think of other novels where there is an EU angle, let me know.
Rob Fisher, another occasional commenter at our threads who has his own blog, has this to say about a new TV show about border security guards (yes, that’s right). On the basis of his comment, I think I will be watching the rest of Mad Men instead.
I bought a number of pirated DVD’s in Malaysia recently and they all include unskippable piracy messages at the start. …
– A commenter, who unsurprisingly preferred to remain anonymous, contributes to a discussion about how the crap at the beginning of legally purchased DVDs makes pirated DVDs, provided they are of sufficient quality, a happier watching experience. Not always, it would seem. I now copy all my DVDs from the television.
Over at the Adam Smith Institute blog is this nice item on a recent performance of s Tom Stoppard play, touching on the themes of oppression under the old Soviet Union. Apparently, as the ASI commenter notes, this makes some theatre reviewers a bit sniffy, since all this stuff about the USSR is so, well, dated, dahling. As the blog points out, it is not. The kind of issues that arose under the Soviet Empire are as relevant now as they were during the Cold War. Some of the names have changed a bit, that’s all.
Talking of dramatists, here is an old post of mine about David Mamet, who has had a bit of a Road to Damascus political conversion.
Read about it here. Victorious Afghan Hamid Hassan blogs about it here:
After the match, I had to go to do a post-match media conference and they all wanted to know how it felt to beat USA, but the opposition didn’t matter to me. I was just happy to win another cricket match.
I love getting the chance to play against different countries and this was the first time we had ever played USA in an international match. I could never have dreamed when I was young, that I would one day play them in a cricket game.
I am a big fan of American television and movies and my favourite film is Rocky – I vividly remember watching it when I was growing up – and one of my heroes is Sylvester Stallone.
I think that there is a similarity in the story of Rocky and the Afghanistan cricket team – we both started at the bottom and gradually made our way up the rankings. …
Gradually? I thought Rocky did it with one fight.
Seriously though, it’s fun to see a guy so gripped by the American ideal of the common man excelling, and as a result … defeating America.
The way Hamid Hassan writes about Rocky and Silvester Stallone and so on makes me also think of this piece, about how the imminent decline into relative insignificance of the USA is once again being oversold, in which Joshua Kurlantzick says:
Most important, the United States is a champion of an idea that has global appeal, and Asia is not.
Although my part of the blogosphere is very anti-Obama just now, what with Obama seemingly hell-bent on ruining the USA’s economy, the rise of Obama to being President of the USA must look like a very similar kind of story to Rocky, if you are someone like Hamid Hassan.
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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