Like many a Londoner living in the middle of the city, it is all too easy to take the cultural riches of this place for granted, such as its many art galleries. And of course my interest can be all too easily blunted by the mind-erasing trash that goes under the banner of “Modern Art”. So it was great to have seen the American Sublime show at the Tate Britain gallery last weekend.
The exhibition features work from landscape painters such as Thomas Cole, Frederic Edwin Church, Francis Cropsey and Thomas Moran. Some of the pictures were small, some of them were vast canvasses showing the sheer grandeur of the landscape in the early days of Jefferson’s Republic from the early to the middle of the 19th Century.
What these works all had in common was stunning mastery of paint, a razor-sharp eye for detail and an awareness of how to ram home the vastness of the Rockies, the huge waterfall of Niagara or the rough weather found off the coast of Maine. The virtuosity is staggering, and all achieved without the aids of modern technology. Some of the paintings had a melancholy feel, some overtly religious, some were designed merely to revel in the mastery of paint. All left me moved in some way to feel my admission fee was money well spent.
The show also reminded me that all too many of our current so-called artists haven’t the skill to pull off the kind of visual achievement of their 19th century forbears. They cannot be bothered to put in the painstaking effort, and mask their incompetence behind such nonsense as sheep preserved in liquid or bits of dung chucked onto the side of a wall.
The American Sublime exhibition is a demonstration of how great art can be but also that can be no substitutes for effort and practice. If the purpose of art, as the novelist Anthony Burgess once said, is to enhance life, then these painters achieved that goal brilliantly. Or, to take the definition given by Ayn Rand, art is the selective re-creation of reality in the light of certain values. For these painters, they picked out the great, the awe-inspiring, the sheer scale, of what they saw as America was opened up in the rapidly industrialising world of the 19th Century. These were things that mattered to them, and it shows.
I cannot recommend this exhibition highly enough. It continues until May 19. Fellow Londoners have no excuses. Go see it.
