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The Panasonic Lumix DMC-G1 is a glimpse of a different and better world

Politics trundles on and the more you pay attention to it the more depressed you are going to get, so what I like to do instead is look at gadgets. Gadgets aren’t everything. An affordable mobile phone is scant consolation if your ludicrously unaffordable house has just been repossessed. Flat screen televisions are only as good as the stuff that’s on them. Cool cars only provide escape from the cares of city life in car commercials, not in cities.

Nevertheless, gadgets are still being done well, and every now and again I like to pick out a new one and praise it on Samizdata, both for its own beautiful sake, and because doing this makes the point that life would be so much better if everything (not just gadgets) was done like that, by grasping capitalists in competition with one another instead of by tyrannically pompous bunglers who are clever only at winning elections or at sucking up to such people. The last such gadget that I got excited about here was the Asus Eee-PC, which I now happily possess, and am gradually finding more uses for. And now, I offer you the Panasonic Lumix DMC-G1, which is a digital camera, which looks like this:

PanasonicG1red.jpg

It doesn’t look anything very special, or very different, does it? And for many people it won’t be. For all those Real Photographers squinting into their optical viewfinders to get the perfect shot with their brick-like Canon or Nikon DSLRs, the G1 would be a severe come-down, because the G1 doesn’t have an optical viewfinder. But for that vast tribe of cheaper and more cheerful digital snappers who prefer cameras that don’t weigh so much, the fact that the G1 has no optical viewfinder is exactly the point. We Billion Monkeys, as I like to call us, look at all those Real Photographers with their clunky black contraptions and we say to ourselves, yes, I’d love my pictures to be as good as theirs are, and it would certainly be nice to be able to use lots of different lenses the way they do, but really, does a camera have to be that big to be that good?

The thing is – from where we Billion Monkeys stand, sit or crouch – DSLRs look like a relic of the analog age, like those weird early steam ships that also had sails on them. DSLR stands for Digital Single Lens Reflex, and this refers to the fact – commenters will doubtless correct me to the degree to which I am, I am sure, somewhat-to-completely wrong – that in order for the optical viewfinder to be an accurate foretaste of the picture being attempted, the light that enters a DSLR has to be divided up and sent off to two different places, one of them being the optical viewfinder and the other being the magical electronic surface that turns the light into a digital picture. This process involves … well, it involves a lot of space and a lot of complication.

So, the G1 does away with the the optical viewfinder. You can still squint through an eyepiece if you really want to, but what you see is a digital picture, not a merely optical one. More conveniently, you can see the digital picture beforehand on a small screen, which, as with the best little digital cameras, twiddles, and hence lets you take pictures that you can still see even when you are holding the camera way above your head or way down in front of your private parts. Most DSLRs still only show you the picture on their screens afterwards, but the latest ones also have these see-the-picture-beforehand screens, but this combining of optical and digital previewing all adds to the size and the expense. What the G1 does is put all its pre-viewing and post-viewing eggs in the one digital basket.

If the G1’s screen were only as good as the kind of screen you already get on most small digital cameras now, such as the one on my current camera, that would not be a good decision. These small screens are now notorious for telling you that that is a fine picture while you are taking it and just after you took it, only for you later to discover, when you get home and see it on a real screen, that the picture is a blurry failure. Much effort has gone into making the image on the G1’s screen, and the image you see through the G1’s digital viewfinder, a lot better than such images have ever looked before. And the even better news is that the improvements already achieved in this department, being electronic rather than merely optical, are bound to be surpassed in the near future and surpassed again and again in the years to come.

Meanwhile, the G1 offers us digital amateurs all the things we really do want that only the SLR fraternity can do now. The picture quality will be far better, both because it just will be, involving as it does the exact same kind of picture making technology as happens in DSLRs now (only rather smaller), and because we will be able to use a growing choice of lenses instead of the one lens we are stuck with now. But, we won’t have to lug a thing like a brick around with us to get all these delights.

All this is hearsay and conjecture, based on the reports of the lucky few who have already been allowed to actually see and play with this new camera. But the buzz that it has already stirred up around itself definitely reminds me of the buzz that buzzed around the first of those micro-laptops, of the Asus Eee-PC variety, a market that is now galloping ahead exuberantly. What this buzz already tells us is not that the G1 is definitely the wonder that its paid puffers and earliest reviewers are now claiming it to be. No, it tells us something more important than that. It tells us that this is what the market really really wants. I am most emphatically not the only cheap snapper who wants to trade up to something definitely better, without trading up to a big black brick that leaves little space in my life or bag for anything besides photography. If the G1 is what it promises to be, it will be a runaway hit. If its reach turns out to exceed its grasp, never mind. Rival capitalists will soon be delivering for real on the same clutch of promises that the G1 has merely advertised.

So I’m going to wait to see if the G1 really is this good, and I will also be waiting for the price of the G1, or of satisfactory rival facsimiles, to fall from the currently announced level of about £550. That’s too rich for me. I’ll also be waiting – although I don’t think I’ll have to wait long – to see if the G1, and the new market that it points towards, is the huge market that I think it will be, because only then will the lens-makers respond, in the way that they already have responded to the recent explosion of the DSLR market, which happened as it did because of already existing cameras that were merely SLR, without the D for digital bit. Not the least significant of the responses will be in the form of adapters, to make the small new G1 able to make use of the big old SLR lenses that lots have already invested in. Panasonic have already made such an adapter to allow the G1 to use their big old lenses.

You think that postings like this are frivolous, in these scary and portentous times? If so, I see what you mean, but I think you are wrong. Thank goodness that there are these frivolous things like little laptop computers and like small digital cameras, so frivolous that most politicians feel that it is beneath their dignity to take charge of them. That way we all get a chance to see how much better the world, all of it, would be, if the politicians could be persuaded to regard everything as too insignificant for them worry about. Think what a great world that would be, and think how rapidly it would, even now, be improving.

8 comments to The Panasonic Lumix DMC-G1 is a glimpse of a different and better world

  • “…the light that enters a DSLR has to be divided up and sent off to two different places, one of them being the optical viewfinder and the other being the magical electronic surface that turns the light into a digital picture.”

    The only camera I remember which worked like that was the Canon RT (which still used film). For most SLRs, the mirror simply swings up when the picture is taken.

  • rantingkraut;

    Thereby sending the incoming light off to two different places, the viewfinder and the optical sensor.

    With regard to the original post, the issue with a digital viewfinder such as this is shutter latency. I went with DSLR for that reason more than any other, including lens swapping and image quality. For a digitial view finder, the latency is at best the refresh time for successive images on the viewfinder. If the image update is not silky smooth as you wave the camera about, then you have a problem. And that takes a lot of computational power, which is hard to cram in to a camera.

  • buwaya

    Among other neat things, because of the lack of a mirror, with the right adapters it should be possible to mount the classic range-finder lenses on this, such as the Zeiss Contax, Leica, Canon and Nikon wonders of the 1950’s – as well as every SLR lens ever made of course.

    These rangefinder lenses won’t go on DSLR’s and the digital options for them to date have been lackluster.

    The down-side is that this uses the 4/3 sensor, which is rather small. Perhaps someone will be prompted to attempt the same approach with a larger sensor.

  • AOG,

    “Thereby sending the incoming light off to two different places, the viewfinder and the optical sensor.”

    …true, only the RT does this simultaneously (as apparently did some others(Link)). (But maybe I shouldn’t write comments at 3am after all…)

    I am sure there are plenty of issues with this Lumix right now. Shutter latency is a big problem with most digital cameras at the moment, as is the fact that electronic sensors have a habit of draining your battery in no time. If these problems are solved, maybe there will be a relatively compact camera with a decent sized sensor at the end of this one day.

  • RAB

    Well I very recently bought a Lumix DMC-TZ5,
    it also has no viewfinder and I am very very pleased with it.

  • Midwesterner

    It’s not just the shutter latency. With my digital, I get macro or low light shots all set up, get a perfect image in the finder and click the shutter. At that point, the camera pauses a long moment to screwgee everything all out of focus and exposure, take a very delayed picture, and then put it back the way I had it when I pushed the shutter.

    And per RAB’s new camera, among others he sent me a picture of a great water mill wheel. With the picture blown up to several times the size of my computer screen, I enjoyed scrolling around the picture and looking at details. You can do that with all of his pics but that one had particularly good (as in not notable) focus, color and contrast. It really takes nice pics without weirdness or artifacts. (either that or he only sends the nice ones 🙂

  • Bruce Hoult

    Most of the reasons that I love my (now reasonably elderly) D70s DSLR have very little to do with it being an SLR and everything to do with a bit of care and money being spent on the electronics. A large sensor, fast and accurate focussing, no delay in the viewfinder. What it all adds up to is when something interesting happens being able to take a perfect photo of it while it is *still* happening. Absolutely magical any time you are around kids, animals, sports etc.

    There is no inherent reason that most of the same can’t be done for a smaller non-SLR camera but no one *has* yet. And it’s going to cost money for the good quality-bits.

    If Panasonic have finally done it then great! The sensor is a reasonable size (same as Olympus’ DSLR sensor) so that’s a good start. £550 is a lot of money, so there is no reason that they should not have put in all the good bits. A quick google shows you can get a proper DSLR with the good bits, the Nikon D40, in the UK for around £225 – £250, which is a lot less.

  • Huh. I recently bought a 70’s Nikormat for twenty dollars complete with Nikkor 1.4 50mm lens. It has no digital latency at all! Imagine that.

    I hate digtal.