We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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Artistic genius and pollution I have just got back from a trip to the Tate Britain art gallery at which such wonders as the works of Turner, Monet and Whistler were on display. The Turner pictures of Venice, London and the Seine Valley of northern France bowled me over, as they do every time. One stray observation: many of the pictures brought out the effect on light of heavy air pollution. Monet was a master at this, particularly in his paintings of the Houses of Parliament. Some of the Monets and Whistlers were painted in the late 19th century when London’s smog levels were notoriously bad. As an adopted Londoner I am of course delighted that the chronic air pollution which once ravaged the lungs of our forbears has been reduced. I wish our modern artists could produce something as great as Turner, though.
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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I wish the environmentalists would appreciate the artistic value of smog…
Lemuel, somehow, I doubt they do! Anyway, there are always regular clouds to admire.
But it is a general point: why was 20th century art such crap compared to 19th and 18th?