News of some White Rose Relevant Modern Art. At one of my other places I expressed some uninformed prejudices (“messing about”, I called it, and a commenter took exception) about an artist called David Cotterrell, prejudices I still believe to be on the button, now that they are slightly better informed by me having browsed through this site.
Here, though, is a description of a David Cotterrell work, which brings together the worlds of art and of surveillance:
‘The Paranoia of a London Attache Case’ consists of seven twenty two minute video recordings playing concurrently. It was produced using the closed-circuit surveillance camera network within Monument/Bank Underground Station in the heart of the City of London.
The Installation tracks the movement of the attashe case as it is carried by an actor through the labyrinth of tunnels, platforms and escalators that make up the public areas of the station. Observed by 81 of the station’s security cameras, the journey begins and ends with the case being exchanged on opposite platforms.
The security cameras were connected to seven monitors, in turn connected to seven video recorders. By pre-mapping the journey then filming and editing it ‘live’, it was possible to create a continuous sequence. This runs from 14:08:30 to 14:31:10 the time coding and location description can be seen at the bottom of each screen. The sound was recorded simultaneously using a recorder concealed within the attache case.
Look out Michelangelo. Still, it shows you something of what the arties are brooding on these days.
And next time you complain about the government spying on you, be ready for them to say: “Oh but it’s art.”
